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Cultures of Energy

Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter. We believe in the possibility of personal and cultural change. And we believe that the arts and humanities can help guide us toward a more sustainable future. Cultures of Energy is a Mingomena Media production. Co-hosts are @DominicBoyer and @CymeneHowe
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Aug 29, 2019

Cymene and Dominic talk about Jakarta sinking and Greta rising in this week’s intro. Then (14:32) we are thrilled to welcome Elizabeth DeLoughrey (https://english.ucla.edu/people-faculty/elizabeth-deloughrey/) to the conversation! We start with her latest book, Allegories of the Anthropocene (Duke UP 2019), and its effort to provincialize Anthropocene concept by taking more seriously the history of empire which produced some of its more problematic universalisms. Liz talks about the need to bring indigenous, feminist, decolonial and Global South perspectives more centrally into Anthropocene discourse and discusses her love-hate relationship with allegory. We turn from there to the relationality of islands, salvage environmentalism, settler apocalypticism, the militarization of the atmosphere, and allegory as a form for staging other worlds. That leads to a spirited discussion of encounters between human and nonhuman bodies and between geology and culture, and finally we turn to the critical potentials of ocean studies, blue humanities and her next project on extraterritorial spaces (atmosphere, ocean, poles). PS You can find an Open Access version of Allegories of the Anthropocene at http://oapen.org/search?identifier=1005202. But considering purchasing a copy since proceeds are going to support the important work of RAICES (https://www.raicestexas.org), the Refugee and Immigrant Center for Education and Legal Services.

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