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Cultures of Energy

Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter. We believe in the possibility of personal and cultural change. And we believe that the arts and humanities can help guide us toward a more sustainable future. Cultures of Energy is a Mingomena Media production. Co-hosts are @DominicBoyer and @CymeneHowe
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Dec 8, 2017

Coming to you this week from Kreuzberg, Cymene and Dominic imagine Truman Show Berlin. Then (9:04) we connect to Australia at long last with the help of Astrida Neimanis from the University of Sydney. We talk about her recent book, Bodies of Water: Posthuman Feminist Phenomenology (Bloomsbury, 2017), and her efforts to rethink embodiment and relationality via water. Astrida explains to us the difficult capaciousness of “water” as a concept and the need for more particular phenomenological engagements, weighs in on “blue humanities” and talks with us about what seems distinctive and exciting about feminist environmental humanities today. We talk misogyny and the erasure of feminist voices, the politics of citation, and toxic masculinities and that brings us to Astrida’s new body of work on water as a queer archive of feeling. She explains why she thinks we need to talk more about our crazy attachment to a fossil-fueled life and what we can learn about desire from what is dumped in the deep watery places of the world. We talk about the multiplicity of anthropocene temporalities, tidalectics, and building antichrononormative communities. We muse on fathoming and the messy contingencies of water and knowledge and why we need more relating and better imaginaries. We close on which archives Astrida wants to work on next, in particular chemical weapons in the seas around Australia and “rehabilitated” wetlands near Hamilton Ontario, and how water always forgets but also always remembers.

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